Nick D'Virgilio
Nick has played drums for Genesis, Tears For Fears, Fates Warning, Frost*, and Mike
Keneally.
He made 10 albums with Spock's Beard, the first 6 as drummer and the next 4 as drummer/lead vocalist. He became a member of his current band Big Big Train in 2007.
Nick's solo album Invisible includes collaborations from Tony Levin, Paul Gilbert, Randy McStine, Jonas Reingold, Don Carr & many others.
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supported by 25 fans who also own “Not My Time To Say Goodbye”
What can I say about Big Big Train that I haven’t said before? This album took a little while to grow on me but by the time I saw it live I was in love with its humongous, over-egged pomposity! They do it all with such passion, excitement and amazing musicianship. Essential.
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Folklore (hi-resolution audio)
by Big Big Train
supported by 23 fans who also own “Not My Time To Say Goodbye”
As a Genesis fan, I can't help but praise the outstanding musicianship and songwriting skill in this album. An instant classic.
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Welcome To The Planet
by Big Big Train
supported by 23 fans who also own “Not My Time To Say Goodbye”
Fell in love with BBT recently, absolutely love the stories they tell and the music. Very sad to hear about David’s passing, listening now is quite moving, moved to tears from time to time, but we move on as I hope BBT will with David in our hearts.
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Titan Agronomist Project Volume 2 - A Juggernaut that Cannot Be Stopped
by Randy M. Salo
Marauding symphonic metal that pairs stampeding riffs with castle-size organ and tremendous blasts of brass.
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Immortal's Requiem
by Phantom Spell
featured on Bandcamp Radio Aug 18, 2022
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The Long Island metal band's third album etches arena-sized hooks into their jagged compositions, deftly balancing experimental and poppy inclinations.
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supported by 22 fans who also own “Not My Time To Say Goodbye”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range.
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